The big, secret gate opens and I go down and around and down and around to the bottom of what is pretty much just a big empty squat and there's a load of wobbly squatters all watching Agaskodo Teliverek doing their thing. Their thing has changed up a quite a bit too, most tracks rearranged, re-goulashed with new bits, new jerky stop start bits, groovier sections and better drums. Much better drums actually. And new tracks to boot. They've upped their crazy game substantially and I like it a lot. It's fun, it rocks, it's jiggy, it's like they've made lego models out of duplo and technic and regular bright red bricks and left them in the garden to get a bit dirty. It's a jolly good time.
And then yes, so, waiting for Wevie and this place is whirling almost exclusively with drunk guys sporting caps and tracky tops and slaughtered girls with skirts over jeans because like why. But it's a good vibe nonetheless and when Wevie S hit the stage it's a big dance comedy party. The freakishly tall freakishly toothed frontman stamps a rubber stamp on my arm that says Wevie Stonder: Survival of the Shittest as they all jump around in wigs and hodgepodge coats made of photos and fur toys, playing instruments and pretending to play instruments in equal measures, it seems. For a complete load of nonsense it's all very accomplished really, the whole ridiculous thing like some drunk old bunch of seaside circus anarchists. There's even a knobbly knee competition with a disqualified contestant. See. Thoroughly bloody enjoyable.
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